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  • Cassette + Digital Album

    This a 90mn handmade tape of the album, this mean two tracks are shorter version than online. There is 18 copies, but 9 available only. The five first will be with a 96mn tapes version. It's the fourth release of the label, there is more informations here horsnorme.org/K7/

    Includes unlimited streaming of Dawn of the Damned via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 7 days
    edition of 18  9 remaining
    Purchasable with gift card

      $5 USD or more 

     

lyrics

En recouvrant leur indépendance, les pays d'Afrique et d'Asie avaient brisé l'obstacle qui les séparait d'eux même. Ils avaient enfin une identité, mais pas encore de visage, puisque longuement, méthodiquement on les avait dressés à l'oubli d'eux même et quelquefois au mépris. Libres et indépendants, pour quoi faire ? Sinon d'abord, pour s'extérioriser. La première tache de la liberté, plus souvent conquise qu’acquise, est d'aller à la longue quête du passé, parce qu'il pèse de tout son poids sur le présent et que c'est sur lui, que l'avenir se greffe. Quête d'abord chez nous, bien sûr, dans ce qui demeure du passé, dans les objets fabriqués par nos mains, dans les restes de nos villes détruites oubliées, nos pierres, nos monuments, dans nos mémoires... Mais quête aussi chez l'adversaire, dans les aveux cyniques ou distraits de ses livres. Dans la vérité à peine arrangée de ses films, dans tous les documents, où si souvent, il a tenté de nous travestir, mais dont il est si facile de percer les masques, pour enfin parvenir à la vérité, notre vérité.

By recovering their independence, the countries of Africa and Asia had broken the obstacle separating them from themselves. They had at last an identity, but not yet a face, since at length, methodically, they had been trained to forget themselves and sometimes to scorn themselves. Free and independent, what for ? If not first, to externalize ourself. The first task of freedom, more often conquered than attempted, is to go to the long quest for the past, because it weighs with all its weight on the present and it's on it that the future is grafted. Quest first at home, of course, in what remains of the past, in the objects made by our hands, in the remains of our destroyed cities forgotten, our stones, our monuments, in our memories ... But also quest at the adversary home, in the sinic or distracted confessions of his books. In the barely arranged truth of his films, in all the documents, where so often, he has tried to disguise us, but of which it's so easy to pierce the masks, to finally reach the truth, our truth.

Text by Mouloud Mammeri

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from Dawn of the Damned, released September 10, 2019

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YOSHIWAKU Peru

Tkno BeurK (grand father electronic experiments)
OresteS (father post-industrial)
Yoshiwaku (kid greyphonics)

Like a snake removing is old skin, Yoshiwaku continues his improvisation journey thru the virgin territory of noise begun in 1999 with Tkno BeurK.

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